MERYL IN BRUSSELS ON NOVEMBER 12, 2026
ARTIST FROM MARTINIQUE MAKES A STOP IN BRUSSELS
After selling out a show in Paris, Meryl is heading to Brussels. On Thursday, November 12, 2026, the singer, rapper, and topliner from Martinique will take the stage at La Madeleine for a concert that promises to be as sunny as it is electrifying, blending dancehall, rap, zouk, and pop. Tickets LAST TICKETS are available, but they’re selling out fast—so don’t wait too long.
MERYL IN A FEW WORDS!
Born in Martinique and introduced to the general public in 2019 with the song “Béni,” Meryl has established herself in just a few years as one of the most distinctive voices on the French-speaking music scene. Having cut her teeth in the urban music scene as a topline artist before launching her solo career, she sings in French and Martinican Creole and refuses to be confined to a single genre. Rap, dancehall, dembow, zouk, or pop: she moves from one to the next with rare ease.
Her connection to Belgium goes way back: in December 2019, she released “La Brume” featuring Belgian rapper Le Motif. She also headlined the Dour Festival in July 2026.
CAVIAR I, LA DAME: A RAPID EVOLUTION
Following the mixtape *Jour avant Caviar* and the EP *Ozoror* (2023), Meryl released her debut album, *Caviar I*, in June 2024. The album features Jocelyne Béroard, the lead singer of Kassav’, on “Siwo,” and Josman on “Ton ami.” The album earned her nominations at the Victoires de la Musique (Female New Artist, Live Performance Newcomer) and the Flammes that same year. On it, she showcases an eclectic sound that pays homage to the great figures of Caribbean music.
In late November 2025, she followed up with *La Dame*, featuring the singles “Shatta Confessions” (feat. N’Ken) and “Coco Chanel,” a duet with Eva. The latter track earned her the “Flamme du morceau de musique caribéenne” award at the 2026 Flammes ceremony on April 23.
On stage, her rise to fame has been spectacular: after a show at the Zénith in Paris in 2024, she sold out the Accor Arena twice on October 26 and 27, 2026, before embarking on a tour throughout France.
MERYL IN CONCERT: AN ENERGETIC EVENING
The concert will be an all-standing event, starting at 8 p.m., with a specific schedule to be confirmed. The event is organized by Backinthedayz. With viral hits, more intimate songs, and Caribbean energy, we can expect a night where the crowd won’t be able to stand still.
MERYL'S POTENTIAL SETLIST IN BRUSSELS
No official setlist has been released, but Meryl is expected to draw from *La Dame* with her singles “Shatta Confessions,” “Coco Chanel,” and “Champagne ké fraises,” as well as “Paparazzi” and “Instructions,” two tracks recorded with Theodora. Tracks from *Caviar I* are also likely to be included, such as “Ton ami ” and “Dembow Martinica,” along with her early hits: “Béni,” “La Brume,” “Coucou,” “Billets,” and “Ah lala.” A setlist that reflects her musical journey, blending dancehall, rap, and pop melodies.
MERYL'S CONCERT AT LA MADELEINE: PRACTICAL INFORMATION
Where can I buy tickets for "Meryl" in Brussels?
Tickets are on sale at ticketlive.be. We recommend avoiding unofficial resellers to prevent the risk of being scammed.
Is the concert standing or seated?
The concert will be held with an all-standing arrangement.
Is there an option for people with disabilities at Meryl's concert at La Madeleine?
Yes, as with all concerts held at La Madeleine, a platform for people with disabilities will be set up in the orchestra pit so that everyone can enjoy the concert.
Is there an opening act?
This information has not yet been confirmed. For more details, visit the event page a few days before the concert.
WHY DO WE LOVE MERYL SO MUCH?
With a voice you’d recognize anywhere, an unfiltered writing style, and pride in her Creole roots, Meryl has built her success without turning her back on her island or her influences. Her performance at La Madeleine on November 12, 2026, promises to be one of the hottest events of the Brussels fall season and confirms that she has become a staple of the Francophone music scene.
